
736 pages, smyth-sewn w/ art
board cover
ISBN 1-933254-20-3
distributed to the trade by DAP/Distributed Art Publishers
$40 ($45 in stores)

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by mail
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From 1967 to 1969, Vito Acconci & Bernadette
Mayer collected the works of the some of the most exciting artists
and writers
for their mimeographed magazine, 0 TO 9. Robert
Barry, Ted Berrigan, Clark Coolidge, John Giorno, Dan Graham,
Michael Heizer, Kenneth
Koch, Sol LeWitt, Jackson Mac Low, Harry Mathews, Adrian Piper,
Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram Saroyan,
Robert Smithson, Alan Sondheim, Hannah Weiner, and Emmett Williams,
among others, were contributors.
0 TO 9 is the second installment of
UDP's Lost Literature Series.
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LIMITED
FACSIMILE EDITION:
Winner
of the Specific Object 2006 Publication of the Year
Award
UDP has also published 0
TO 9 in
a limited edition of 100 copies, which are numbered and
signed by Vito Acconci and Bernadette Mayer. This
edition is a facsimile
with each individual issue staple bound according to
the original and housed in a wooden box.
A
few remaining copies are available for $500. For
more information or to place an order, please send
an email inquiry to :
info
[at] uglyducklingpresse [dot] org"
<< click image for detail |
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At a time when many were looking in other directions, Bernadette
Mayer & Vito Acconci provided one of the truly germinal
magazines in which experiments in poetry & language could
be gathered & aimed toward an unforeseen future. 0
TO 9 they called it and made of it a necessary place for new
beginnings. Nearly four decades on, the thrill of their enterprise
persists in these pages newly reprinted—amazing to
look at against all that has transpired, more amazing to
consider what remains to be done.
— Jerome Rothenberg
Professor Emeritus,
University of California, San Diego
The re-printing of Vito Acconci and Bernadette
Mayer's iconic magazine 0 TO 9 is perfectly timed.
At a moment when the impact of the 1960s has reached new
heights, an
important strand of that radical re-definition of art is
visible again. Acconci and Mayer wanted the magazine to be
experienced as object. The page becomes a 'field' which the
viewer can experience both visually and conceptually. The
conceptual intentions of drawings and diagrams by Sol
LeWitt, Steve Paxton, Michael Heizer and Robert Smithson,
and texts by Yvonne Rainer, Dan Graham, Jackson Maclow, Adrian
Piper, amongst others, are thrown into sharp relief by their
juxtaposition with contemporary poets, musicians and European
historical writers. Morton Feldman, John Giorno, Eduardo
Sanguineti and Clark Coolidge rub shoulders with Sir Walter
Raleigh, Novalis, Robert Walser, Lord Herbert of Cherbury,
Apollinaire and Flaubert. This lateral cut across history,
disciplines and cultures takes the reader into rich, new
territory, in which Lord Herbert's C16th word-plays resonate
perfectly alongside the texts of Lawrence Weiner.
— Chrissie Iles
Curator,
Whitney Museum of American Art
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