"[a] strange, marvelous, sometimes shouting, sometimes whispering thing" — Laird Hunt
About the Author
Kevin Varrone is the author of g-point almanac: id est (9/22-12/21) (Instance Press, 2007), and g-point Almanac (7/21-9/21) (Ixnay Press). His poems have also appeared in numerous print journals and online, including 6x6, Big Bridge, Cross Connect, the ixnay reader, volume 2, American Poetry Review: The Philly Edition, and Duration Press's ebook series. With poet Pattie McCarthy, he edited and co-founded Beautiful Swimmer Press. He currently lives in Philadelphia, where he teaches literature and writing at Temple University.
Links
Book Details
Trade PaperbackPerfect-bound. 104 pp, 6.5 x 8 in.
ISBN 978-1-933254-52-4
Publication Date: February 1, 2010
Distribution: SPD
- 02.02.13 | Kevin Varrone is interviewed on Rob McLennan's Blog
- 11.02.11 | Kevin Varrone's g-point almanac series is reviewed in Jacket2
- 09.08.11 | g-point almanac: passyunk lost by Kevin Varrone featured on A Public Face blog
- 05.03.10 | Kevin Varrone, author of g-point almanac: passyunk lost, featured on Elective Affinities
- 02.03.10 | Escape from Combray and g-point almanac: passyunk lost reviewed in The Supercollider blog
News and Reviews
Advance Praise
In passyunk lost, Kevin Varrone presents Philadelphia in a pearlescent winter light that shimmers through the leafless branches of the trees. As if pausing in the cold on an empty street, one hears in the flutter and cry of the birds an incipient language giving rise to a new kind of urban ecology, one whose measure is that of the mind as it hears itself singing.—Michael Kelleher
Stop! Look! And by God, Listen! as with gorgeous verve, gobsmacking style and deep seriousness Kevin Varrone lets keeningly loose herein no fewer than 'a billion nanotreasons of air.' g-point almanac—this strange, marvelous, sometimes shouting, sometimes whispering thing—is just the complex reading of the early century we've been waiting for.—Laird Hunt
This latest installment in Kevin Varrone's g-point almanac offers ambulatory travel rich with epistemic philosophy & a depth of intelligence one couldn't anticipate: 'something imperfect may carry / something perfect.' I am jealous I didn't discover the forms in 'a fortnight for st. distaff,' but receiving them second-hand is a most fortunate consolation. At the core of the pleasure of passyunk lost is Varrone’s remarkable ear. Where darkness surrounds us, so might music.—Carol Mirakove
In Kevin's Varrone's deeply serious g-point almanac: passyunk lost text is never more than an extension of texture. Varrone's deep skepticism of language is counter-braced by an aggregate interface with the living world 'of wissahickon mica/ schist 'til/ heft is on us.' Here, the 'heft' indeed 'is on us', life-force and all. In Varrone's graceful hands texture is not merely texture, but its full weight in text.—Thomas Devaney
At times ironic and sincere, g-point almanac: passyunk lost is a written history of observing nature that simultaneously manages a reading of the tradition of such a practice. The poems move through an Objectivist prosody with nods to Olson, Stein, Williams, Whitman, Thoreau—a grand American Romanticism embraced and reconfigured in the wake of the L=A=N=G=U=A=G=E school.—Martin Corless-Smith