Ugly Duckling Presse

Commodore
Commodore

Jacqueline Waters

Poetry | $15 $11
Fall 2017
Pre-Order"Poetic hyper-awareness that threatens and shapes the supraliminal state."
Commodore, Waters’ third poetry collection, is a book about care, both the two-way street of it and the hierarchy created by it. Or it’s about coming very close to your subject, intent on discerning shades of sentiment, full of nostalgia for things you didn’t really enjoy when they happened, concerned care might be an exploitable weakness, even as its cultivation becomes the only way to attract the mercy you will inevitably require…
Excerpt ˇ

Excerpt

The way to do history
Is not to care about it
Whatever you care for you diminish
Facts remain the same, changing with the day
While what is true of one repeats
By turning true of another
Everywhere the sound of crying
Neither immediate nor interesting
Unlike you, with those low goals
You’re not just going to overflow toward
You’ve got to list the ambitious pains
Persevere through the doubt you watch
Take inventive forms like clouds
Owing the world a form

Close ˆ

About the Author

Jacqueline Waters
Jacqueline Waters is the author of One Sleeps the Other Doesn’t (Ugly Duckling Presse) and A Minute without Danger (Adventures in Poetry). More recent work has appeared in Chicago Review, Dreamboat, Fanzine, Harper's, Little Star and The American Reader.
Author contact: jacwaters [at] gmail.com

Advance Praise

Jacqueline Waters is one of my favorite writers. How does she put her poems together? The architectonic images in this collection might provide some clue (for example, an office building whose breadth is significantly greater than its height so that it can’t, the speaker explains, truthfully be called a tower), or the intricate designs that her stanzas make on the page. Or it might be the tone that holds it all together, a perfect deadpan out of which emerges a demented moral vision whose contradictory precepts are candor and protection. (In her previous collection one of the poems was flanked by two other poems that were its guards.) Each line, like a branch from a decision tree, has an uncanny clarity that sometimes feels like reason itself. But something more than reason must be at work because in this atmosphere I seem to see considerably farther than the strength of mere human sight would allow — that’s the uncanny part.—Aaron Kunin
The book’s title suggests an interest in binaries, oppositions, or paired alternatives. What the poems enact, however, is not the assembly of strict dichotomies but an often virtuosic display of simultaneous poetic impulses. Waters’ writing is insistently and reflexively analytical; it is also structured by affecting and highly original narrative moments and images.—Evan White, iO
This ain’t abstraction, though — just the kind of poetic hyper-awareness that threatens and shapes the supraliminal state. And this lyric can be upended by its author’s turning intelligence at any time. Reading it is sort of like being happily lashed with your own Romantic delusions and Conscience.—Corina Copp, Harriet
This is an intelligent and well-crafted poetry that demands multiple readings. And it is a voice–perhaps a bit apprehensive and damaged by experience–that seems willing to express it all, even the ugly and cruel.—Gina Myers, The Rumpus