Uselysses
Uselysses

Noel Black

Poetry | $15 $13
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"flings one into a state of complete exultation" — Kevin Killian

Noel Black's <em>Uselysses</em> contains five discrete books of poems written over the last four years. Some of these are poems of experience. Others are night raids or open attacks on the reserves of meaning that, we're almost convinced, derive from properly appreciated experience; meanings we back on faith so we can keep having meaningful experiences in the future. As a radical questioner of such faiths, Black subjects his own skepticism to sufficient pressure to line a mine with prodigal kindness or absolute contempt, depending on the company. Most vital to the reader, his voice is clear throughout, natural, and the poems are fun to read over again. A peerless comic poet, Black's poems have appeared widely, but few of the poems in this book have been published anywhere until now.

Uselysses is Noel Black’s first full-length book of poetry. 

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Read excerpts: "In the City of Word People""Moby K. Dick" and "Children of Children of Adam"

To view all of Moby K. Dick in our chapbook archive, click here.

About the Author

Noel Black
Noel Black lives in Colorado Springs with his wife, artist Marina Eckler, and their son Ursen. Co-founder with Ed Berrigan of LOG Magazine and publisher of Angry Dog Midget Editions in the late 1990s, he has since worked as a writer and producer for a wide variety of media outlets including The Stranger and WNYC. He currently works as a producer for KRCC public radio. He is the author of half-a-dozen chapbooks including Hulktrans (Owl Press) and In The City of Word People (Blue Press, 2008).

Advance Praise

Black declares, in an almost off-handed way, that poetry can’t do anything important. He is demonstrating self-conscious awareness of the limitations of the written word, or catering to some requirement for realism, or accepting the freedom of effort without responsibility.—Josh Cook, The Rumpus
The poet is like Carl Sagan come back to life, unzipping his burnt-orange windbreaker, shooting lasers of love out from the spectral Starfleet logo upon his heart, zapping us all into a rapture of wordless knowledge as God folds our souls into a dream.—Adam DeGraff, Big Bridge
Black is looking poetry in the eye, with the stern gaze of a playful practitioner. I’ve always felt that the art needed more joshing around to contend with, but not necessarily obliterate, the high holiness. Uselysses argues for a wider aperture in poetry’s lens, rejoining poetic competency with the impulse that drew us all to the form to begin with. He makes a compelling, intelligent, crass, hilarious, and engaging case through example.—Levi Rubeck, BOMBLOG